The Art of a Revolution

There's no denying that Senator Bernie Sanders has his proponents fired up.  Many are now "feeling the Bern," including the award-winning musician Makana, who recently released to YouTube and Boing Boing his new Bernie loving anthem, The Fire is Ours.  It speaks to the frustration with a corrupt and dishonest political system, and praise for the only one who seems to stand out, complete with a blazing upright piano that taking "feeling the Bern" a bit literally.

It's clearly the work of a talented musician and songwriter, in that he makes unsubtle political language actually sound good from a musical standpoint.  It's a catchy tune that, with luck, will start getting stuck in people's heads.  No revolution is complete without music.  Or dancing.

Plus, I don't see any other candidate with their own theme song.  Well, at least not one they didn't write themselves...

But this isn't the only thing going out there in the world of Bernie-themed art.  HVW8 Gallery recently hosted a whole exhibition of Bernie art.  The Art of a Political Revolution - Artists for Bernie Sanders just wrapped up in Los Angeles, CA, and has moved to Austin, Texas, where it will open TONIGHT at 7pm!

It features the works of some sixteen artists.  They may not be Diego Rivera, but they show a variety of engaging styles, powerful imagery, and creative energy.  I think this one is my personal favorite:

I like the non-traditional color scheme.  Red, white, and blue is by now overused in political materials to the point where it has become meaningless.  Going with an unusual scheme of orange and green is fresh, earthy, and warm.  In line with him are at least three people of color, along with a man of indeterminate heritage.  These figures are in silhouette, so we can only identify them by their profile, and need to read into the details.  The woman next to Bernie stands out because she is orange, whereas the rest of those standing "Together" with Bernie are in shades of green, and because her Afro hairstyle marks her as Black.  The silhouettes, by lacking much of the traditional facial features we look for in a face, demand that we project ourselves onto them, and read into them, building up some of their identity for ourselves.  This is a reflection of what we always do with life in general (we see the world not as IT is, but as WE are) and with minorities especially, but by putting a bit of ourselves into them, it is also a call to empathy, linking back to the title concept that we are all in this "together."  The Revolution is for all of us.